CHRONOLOGICAL EVOLUTION

 

Fred was an amateur saxophonist, working hard in his family business.
He was working in his father's compagny, as a metal worker tool maker.
He was really found of jazz music, and begun to play quite well. The day he decided to buy a new mouthpiece, he realized that it was quite expensive, and probably a bit too much for him. He was 27 years old.

He decided to make his mouthpiece himself, in his father workshop, and taht mouthpiece became the first Lebayle mouthpiece. Fred was looking for the same mouthpiece as Charle Parker, so he made a metal mouthpiece, white hand painted.
That is beginning of the story of Lebayle mouthpieces brand.

For five years , fred worked on the way to make his mouthpieces sound better, and finally decided to market the first mouthpiece range, that was composed of tree different models: Soprano, Alto, Tenor ... Studio for all of them.
At that time, Fred worked on the mouthpieces, after his own job, and on the week-ends.
Little by little, Fred made himself conscious , that
fusion jazz was coming down, everybody was looking for an old Otto link, and other mouthpieces of that kind. Jazzmen wanted an older sound, and the studio chamber didn't fit very well with that wishes. that's why he begun to make the jazz chamber.

Fred decided to make mouthpieces and accessories, as his main activity.
The first catalog contained 2 straps/ 2 harness/3 mouthpieces already.
The jazz chamber was coming out at that time, but Fred still marketed the studio chamber.
The mouthpieces were still under his father's company brand name.
The first wooden mouthpieces comes out at that time, and Fred decided to develop it quite fast, because of the lack of that kind of products that musicians were suffering from.
He put the wooden mouthpieces on the huge mouthpieces market, in order to make something different, that could offer to the musicians new sounds and smoother colors.

Looking at the evolution of music styles, Fred decided to stop the studio chamber making, and worked almost on the new jazz chamber, that was launched on the market with the hard rubber models that hasn't been before.
This is during the 1996 year that the activity begun to grow little by little.
Between 1996 and 2003, the production increased slowly, the studio chamber came back, with her sister, the LR chamber.

This is most important year in the company evolution, some great saxophonists, like Branford Marsalis or Wayne Shorter, begun to play on the mouthpieces, and the production increased faster.
The company begun to make mainly metal mouthpieces, due to the image that Branford and Wayne communicate to their public about the products.
The metal was around 70% of the merchandise coming out from the workshop

Fred worked on the mouthpieces alone with his father, but the increasing production( 2000 mouthpieces in 2003 and 5000 in 2006) obliged Fred to look for somebody else to help him.
The mouthpieces were at that time well known in Europe, and begun to go across the Atlantic ocean.

Nico comes to Fred to have a look at that quite uncommon job. He was at that time a repairman in his father's music shop, and decided to be the one that would help Fred.
He left his job, and is now working at Fred's workshop, and go on his classical music studies.

A new chamber is born in New york, January 2007, the new metal LR2 is lauched on the market, and offer to the Lebayle mouthpieces range model, made with a new metal alloy, white gold plated, and high quality hand finish.

Fred Lebayle worked hard during twenty years, and it gace him e 30 models catalog, and a brand name that begin to be internationally known.